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“The Center Cannot Hold”

Interactive Dispatch

The Changing (Font) Face of Textbooks | Sep 6, 2011
Remember film strips in 6th grade science class? Or the teacher struggling to load a VHS tape into a BetaMax player? Rotary dial...
Status Update: On Vacation | Aug 8, 2011
So you’re on the road, and you have your phone with you for emergencies. You realize you didn’t pack enough beverages (...
The Wrapping Paper Isn’t the Present | Jul 6, 2011
It’s summertime – campers are roasting marshmallows over fire pits across the country, flies are being swatted, some people...
“We Shape Our Tools...” | Jun 13, 2011
“We become what we behold. We shape our tools, and thereafter our tools shape us.” – Marshall McLuhan We’...
Never Mind “Web 2.0”, How’d You Do With “Web 1.0”? | May 12, 2011
Were you prepared for Web 2.0? Wait, were you prepared for Web 1.0? What are we talking about? When did that point release come out?
Out With the Old, Older, Oldest... | Apr 13, 2011
As happens every spring, it’s a good time to get rid of the junk in the closet and make some room for the new junk. Browsers can be...
“The Center Cannot Hold” | Mar 15, 2011
People have widely used the word “internet” as a synonym for “web,” when in fact “the internet”...
To App or Not to App | Feb 16, 2011
Maybe you have a smartphone, and maybe you’ve downloaded an app or two (or 40), and some you’ve paid for, and some were free...
Going Mobile | Jan 17, 2011
For the last couple of years, if you tried to look up a restaurant menu on your phone, you might get something like this:
A World of Hurt | Dec 15, 2010
“World of hurt” is really the best description of the developer’s task in putting together a rich text email, the kind...

People have widely used the word “internet” as a synonym for “web,” when in fact “the internet” includes a wide variety of things which pre- and post-date the web, including email, file transfer mechanisms, good ol' Usenet, chats and so on.Encapsulating diverse technologies exists at all levels, as HTML has come to synecdochize a range of complementary but distinct tools like “actual” HTML, CSS and JavaScript (almost any HTML5 demo you’re likely to see will use all three indistinguishably, which is kind of its strength). Not so long ago, it was considered necessary to have a web site, but we’re now at a point where it may be more useful to think of a web presence more than a site. 

Google any major brand name (or yourself, if you haven't already [and you have, admit it]), and you’ll find a collection of websites, Facebook groups, YouTube videos, Twitter accounts, maybe LinkedIn profiles, all of which combine to present an image or series of images. Untangling each of these streams is more work than most users are prepared to do, so you have to do the work for them.

In thinking about each stream, you need to consider:

  • Narratives being created by each part of the stream and how they flow together;
  • Give users incentives to pursue each stream (putting the same material on each channel just ignores the unique opportunities and attractions of each);
  • User familiarity and expectations with the stream and its flow;
  • Interactions associated with the stream (following, liking, commenting, retweeting, etc.) and the cost/benefit to the user of each;
  • Navigating the public/private spheres of each stream, almost all of which are situated in the middle of a different Venn diagram overlapping some measure of public and private.

Not all of these streams are going to be entirely in your control: you can moderate comments on your own site’s blog, for instance, but you can’t manage how your tweets are retweeted or who Likes or Favourites your video. (Ever noticed how many new verbs these new streams are utilizing that would have made any conversation about them unintelligible just a few years ago?) 

Some channels are opportunities to distribute a “closed” message (a newsletter or rich text email that is essentially a one-way communication to your audience); other channels can be more exploratory, where you can find out what people are saying about your persona (Twitter is great for this).

Some streams are going to make sense to your and your audiences right away, but others may take some time for you to suss out the depth and current (and that’s okay).

Some streams are going to require different voices: press releases may be authoritative, news items may be informative, blog posts may be conversational or even whimsical, tweets can be just about anything, as long as they’re short.

This is not at all to say you need to have a Facebook group and a Twitter feed or any of the other buzzword channels out there. Each of these streams is an opportunity to talk to, listen to and explore with your audiences. When you're open to the possibilities, your total web presence is going to surprise (and hopefully delight) you in ways you never expected.